Man knows how to wrinkle his forehead in a beguiling way, I can tell you that much! It's passionate. She sees two old ladies staring at her through a dusty window. He becomes ridiculous, frivolous … womanly. © 2020 Guardian News & Media Limited or its affiliated companies. Hair down. Christy Lemire: Well, maybe by doing this talk, we can get women to watch it or re-watch it and have it resonate with them, too. The complaint that all the men are cartoons is silly. What would an all-male version of The Women look like? Louise goes to put on lipstick and then tosses it out. I have to say that the gun use in this is not like that in a “Dirty Harry” film. Sheila O’Malley: To take that moment to compliment your friend on her stunt-driving ... it's such a great detail. She's great! Like she was born to it. All rights reserved. Christy Lemire: Re: the ending, it's romantic. During its initial run, “Thelma and Louise” did fairly well at the box office, grossing a little more than $45 million domestically. Alongside of the Ocean’s Eleven reboot, Hollywood needs more films in which women play roles that couldn’t be played by men. It's not just Thelma who’s "set free." I’m hoping the same high-grade website post from you in the upcoming as well. But it’s an interesting thought experiment, because it forcibly reminds you just how dominant men are already in Hollywood, and how few movies focus on female friendships and female relationships. Democrats, Republicans and Independents lost homes; jobs; savings from Bank Closures and lives were turned upside down, solely due to Bush’s Policies that created an Orwellian Terror State and Bankrupted a once great Nation. In the next scene, when Louise falls apart (discovering the money was gone), Thelma totally takes over. The film still holds up and is as relevant as ever, given that the country might be on the verge of electing our first female president at the same time that other politicians are bent on closing Planned Parenthood centers and denying women access to legal and safe abortions. And, maybe, some more films in which roles that couldn’t be played by men because they are too vulnerable and too feminized are played by men anyway. Suddenly, Thelma gets all butch. You need to really get that. I like that interpretation. Christy Lemire: That's so funny! Christy Lemire: Anything else we didn't touch on? Mitt Romney supports Paul Ryan’s “budget” issued last March; Paul Ryan said: “food stamps, health insurance, Pell grants, Veteran’s Hospital and the likes are demeaning, if paid for by the Government, so, it is better to die with dignity, rather than accept assistance, even if you can’t afford it!”. Sheila O’Malley: And Jason Beghe as the poor weeping cop in the trunk. There are such classic lines. Susan Wloszczyna: I was looking at the article I wrote back in 1991 and how many men and even women felt the need to stand up for the jerk guys in the film. The moment stretches out forever. Sheila O’Malley: That's what I saw, at least, this last time around. Susan Wloszczyna: The way she puts her shoes in plastic bags for their trip. In a way, it's indefensible. Christy Lemire: And again, the film doesn't shame them for using the gun in any circumstance—the parking lot, the convenience store, blowing up the fuel truck. Mitt Romney, Paul Ryan and most of the Republican Politicians are very educated and smart, but they are most hypocritical and deceitful! Sheila O’Malley: It's human-sized. Susan Sarandon is seasoned, a leader, a funny and practical actress. Christy Lemire: And here we are 25 years later and it's still hard to find films on this scale about strong, smart, brave, funny women. Susan Wloszczyna: True, but they didn't know it would explode. Six Pack Shortcuts -- Highest Six Pack Abs Payouts On CB! It's extraordinary considering how different they are by the ending from who they were at the start. Both comments and pings are currently closed. Sheila O’Malley: I so appreciated that having her first orgasm was what really made Thelma turn the corner. The power of bonding on the road in the middle of nowhere. Hello! It's just not true. I want them to be interesting and complex. But it changes a bit when she says, "I feel awake.". It gets me every time. I think maybe “The Sopranos” should give “Thelma & Louise” some credit. They were walking away. Sheila O’Malley: And the whole film leads up to that moment. I don't need my Movie Ladies to be role models. A con artist, but he seems to truly care about satisfying Thelma when she needs it. Because how often are women "cartoons" in movies like this? And yes! It really transforms her. Available for everyone, funded by readers. A great, pure instinct. That's not a criticism. It is always justified in some sense and not gratuitous. Susan Wloszczyna: Actually it wasn't just adult sex. It's almost as though she'd been looking for a "way out" her whole life. Christy Lemire: The movie doesn't judge these women for their actions, which is great. Sheila O’Malley: There's also a moment that I didn't remember at all: Thelma is robbing the gas station. We don't need to. Thelma's sexual awakening. Susan Wloszczyna: I've probably watched it around 10 times, though. I was in college in 1991. It's an important part of life and she's been denied that. There's a feeling of inevitability to it. “9 to 5” is amazing. And the kiss on the lips seals it. One of the old ladies almost smiles. I thought it all worked, though. Christy Lemire: It's over two hours and just breezes by. Sheila O’Malley: A lot of the same things struck me as they did when I was a younger woman, mainly the transformations they both go through as they get deeper and deeper down the road. President Bush, Dick Cheney and their “ochlocracy,” threw us into the abyss and left us for dead. Another way of phrasing that could be to say that Hollywood may be more willing to use women actors, but remains wedded to celebrating masculinity. Susan Wloszczyna: They both get something from men that they needed, though. "Good driving.". Susan Wloszczyna: I noticed that mud flap echo, too. They leave breathing holes. And then she did “Something to Talk About” and “Divine Secrets of the Ya-Ya Sisterhood,” and they were OK but not like “Thelma & Louise.”. Sheila O’Malley: I so agree. It shows all different kinds of men. A pause. We referred to these road trips as our “Thelma and Louise” adventures. Sheila O’Malley: The movie takes a breath in that moment. It's epic. The Dow fell to 6,500 in 2007 and it is now 13,200 which is a major indicator on the positive side; and yet people permeate such a pessimistic view. While male-driven buddy pics are still as plentiful as ever, there have only been a handful of comparable female efforts. I don't need women to be "strong" in the movies, but I DO need them to be complex and human and watchable. They're comedies—“Bridesmaids,” “Spy,” “The Heat.” Basically anything with Melissa McCarthy. These YA dystopian movies are getting for the birds. Susan Wloszczyna: Callie Khouri won an Oscar for this, the first woman I believe to win solo. Sheila O’Malley: Well, I don't know.

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