has made a number of references to politics within Horace and Pete, both on the surface, with pointed dialogue, and in the subtext of the way in which characters behave and the bar’s allegorical nature, so it was interesting to see him make such a clear effort to state an opinion in the email rather than leave the show to do the talking. The pair are having a somewhat awkward post-one-night-stand breakfast when Rhonda makes an off-hand joke about how she’s used to be a man. Pop culture obsessives writing for the pop culture obsessed. The final moments of the episode are between Horace and Sylvia, who has just found out that she is going to be okay, following her cancer treatments. He and his family live on Long Island. “People don’t wanna look at the weak because it reminds them of their own weakness. It is also available to stream and download from Louis CK’s website in up to 1080p in any country. If there's any show that can be said to symbolize our present "golden era" of TV, it's Horace and Pete, the comedian Louis C.K. After Eric leaves, Horace and Alice continue their conversation, with her warnings to her not to tie her life to a man’s going over like a lead balloon. It’s an incredibly tricky conversation, but it’s one that, for the most part, C.K. “Can’t a pumpkin condescend to a peanut?” Good joke! With all of that being said, C.K. is casting himself as the peanut in Horace’s metaphor. All 4 recommendations Few attempts are made during Episode 7 to tear your guts out, to confront the Big Questions, to do much of anything really other than show a day in the life of our lovable (?) “I struggle, so I appear weak,” the man says. Following the events in last week’s episode of Horace and Pete, it was hard to imagine where C.K. Best of BBC iPlayer makes his way through incredibly well, delivering a point clearly and with nuance and intelligence. Who Is 'RHOC' Star Elizabeth Lyn Vargas' Ex-Husband? He’s had his attitudes challenged and he’s left with something to think about, something that C.K. It’s basically Rhonda probing Horace’s feelings about trans women, whom he feels should be treated as women and given all the rights attendant thereto, but whom he deep-down still considers to be, in some inalterable way, men, as evidenced by his discomfort with having sex with someone who’s had gender-reassignment surgery without her at least telling him first. This sense of familiarity is no bad thing when the writing continues to be great and the performances are of the highest calibre. “Who’s that?” “I made it up,” Leon deadpans. When Alice insists that things don’t work that way anymore, Horace pulls rank on her, noting he’s been around, and been around women, a lot longer than she has. 545, This story has been shared 487 times. And that’s the case with everything about this episode. C.K. Horace’s day, already better than normal since his meeting with Alice ended in laughter and a hug rather than fury and an abrupt departure, improves still more dramatically when he picks up a patron named Rhonda (Karen Pittman, whose alcoholism means she could be playing a time-traveling version of her recovering character from The Americans). All original content © Copyright 2020 VODzilla.co Limited. did in the email that accompanied the release of last week’s episode. Get news & recommendations for Netflix, Hulu, Amazon, HBO, and more, in your inbox. But when Kurt calls Lot’s wife a cunt, Sylvia swoops in to 86 him in no uncertain terms. Rhonda is open about one thing as she leaves – that she’s a “drunk” – and there’s the definite sense that this one night stand could lead to something more significant between them. 'The Great British Baking Show's Breakout Star, 'Fargo' Season 4 Episode 4 Recap: The Snowman Cometh, Jessie Buckley Is the Existential Tour de Force 2020 Needs, Who Plays Swanee Capps in 'Fargo'? This follows another amusing moment in which Kurt rants about a comedian who is telling people how to vote and comparing Trump to Hitler – exactly what Louis C.K. In “Episode 7” of Horace And Pete, it’s something Horace has to confront directly when his one-night stand Rhonda (Karen Pittman) tells him the next morning that she may be a trans woman. C.K. Louisstein. appears to be keen to do to his audiences too. seems actually to be making and highlighting for the final scene is that some people have more authority to talk about a subject than others. “Thank you,” she says. tackling this culturally relevant issue, like the veteran comic that he is, but it’s also strange to discuss artistic texts in terms of “gain” at all. Dun-dun-dunnnnnn! That’s where you draw the line?”, “It annoys me that my father makes you nervous because if you knew him personally you wouldn’t care what he thinks.”, “People don’t want to look at the weak because it reminds them of their own weakness, but what they don’t get it’s that when someone’s struggling, it means he’s strong because the weak don’t struggle, they just die. It’s sweet and incredibly affecting – and that is even more remarkable given their behaviour in the previous episode. And much of it boils down to the unanswered question of whether Rhonda was in fact joking when she said she now has a pussy where her penis used to be, so there’s a gag element to the whole thing. But it doesn’t actually matter. Episode 7 climaxed with a lengthy conversation between Horace and a woman he picked up in the bar named Rhonda (Karen Pittman). The answer to that is irrelevant based on Horace’s prejudiced reaction, and that’s Rhonda’s point. My5 is, of course, not best placed to write about the subject and talk about these issues, but that doesn’t mean he should ignore them. 334, This story has been shared 300 times. When Sylvia suggests they just serve other beers, Pete balks at that idea. “Really? Apparently Budweiser is charging Horace and Pete’s more for only buying from them. Because the weak don’t struggle—they just die. Ultimately, there is little to be gained artistically from hearing C.K.’s opinions on trans issues simply because he doesn’t have the necessary lived experience to best explore them. Horace's daughter Alice visits the bar with her boyfriend Eric (Conner O'Malley); awkward conversation ensues. losers (let alone to follow up on the emotional apocalypse of the previous outing, which from how well Pete, Horace, and Sylvia get along here may as well not even have happened). Horace then receives a surprise visit from Alice, who’s brought along her charmingly awkward new boyfriend Eric, whom she met when she beat the shit out of him during a mock court session in law school. C.K. Please enable javascript to view this site. Pete wants help to make the bar a landmark, so that Sylvia has more difficulty selling it. After the dinner from hell last week, the dysfunctional trio of Horace, Sylvia and Pete could easily have been in dark places this week, but C.K. “Hahahaha! No More Delays: Pre-Order Cyberpunk 2077 on PC and Save 25% [Exclusive]. She tells him no: “It’s annoying to me that my father makes you nervous, because if you knew him personally you wouldn’t care what he thinks.” “Okay, I don’t know what to say to that!” Eric replies with inappropriate ebulliance! (Laurie Metcalf’s Episode 3 is, of course, the exception that proves the rule.) 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After the subject of Sodom and Gomorrah comes up, he attempts to explain the story, as it appears in Genesis. “I’d like to move your furniture,” he says with a smile. UKTV Play. “Men can contribute two things to my life,” she tells Horace boozily. Horace meets a woman named Rhonda (Karen Pittman) at the bar. to think he can tackle these issues in depth or with any kind of clarity, evidenced especially by his unfamiliarity with the accepted cultural language (he frequently employs “transgender” when he really means “trans”). Horace meekly says that he doesn’t think he was trying to tell people how to vote, but Kurt shuts him down: “No, no, no, just tell your dumb jokes and shut the fuck up so that grown folks can talk.”, As with pretty much every guest star who shows up on. So whatever you think of me, I’m alive.”. The next morning, Rhonda suggests ... Horace and Pete visit Pete's doctor (Colman Domingo), who tells them that Pete's medication is being discontinued and he will have to be readmitted to the hospital in a month. Pete is devastated. That’s her point. Rhonda is quick to point out that Horace’s own sexual past—specifically, impregnating both his ex-wife and her sister (which explains the constantly chilly reception from Alice and why his son won’t talk with him)—is much more abnormal than anything that may have happened last night, but Horace can’t let it go despite asking to see Rhonda again before she leaves. Sylvia, Horace and their overnight guests (Harold (Reg E. Cathey) and Rhonda, respectively) are awkwardly introduced to each other in the morning.

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